Violinist Patricia Kopatchinskaja also won a Grammy for her . [19][20] The second was in 2018 for her Viola Concerto. Her music is published exclusively by Lawdon Press. Composer Jennifer Higdon's Violin Concerto is this year's Pultizer Prize winner for music. The composer recalls hearing almost no classical music in her childhood; instead, her musical diet consisted of The Beatles, Bob Marley, folk and bluegrass. The concerto was co . Her works have been recorded on over 60 CDs. Higdon makes her living from commissions and her music is known for its technical skill and audience appeal. So I guess I found out a little bit after everyone else., The other finalists in the music category were Fred Lerdahls String Quartet No. Violin Concerto in D Major 3 Igor Stravinsky Violin Concerto 1931 Play 17. Higdon sets Jeanne Minahans emotionally layered poems so that every word can be understood; occasionally one senses its the violin and orchestra who are singing, not the choir. Jennifer Higdon: Concerto for Violin and Orchestra I. Find Jennifer Higdon composition information on AllMusic AllMusic. 144 ("Nimm, was dein ist, und gehe hin") performed on Septuagesimae Sunday as part of Bach's first annual Sacred Cantata cycle in Leipzig (1723/24); 1727 - Bach: Sacred Cantata No. Terms & Conditions | He said that did this with the orchestra that Schumann himself had conducted in Dusseldorf, which is used to steady tempos and he did not know whether this would provoke outrage and they actually liked it enough to ask him to be their "Schumann" conductor. Higdon has become something of a concerto specialist over the past decade, producing works for oboe (2005, later adapted for soprano saxophone), a bluegrass trio (the Concerto 4-3 from 2007), and piano (2009). Its tempo is incredibly fast think of a prolonged Flight of the Bumblebee. The cats run and hide.. On the surface, it appears to be a simple formula: Higdon writes music that audiences like to hear and musicians find gratifying to play. Jennifer Higdon is one of the leading American composers from the turn of the 21st century era. Jennifer Higdon's Violin Concerto: The Genesis of a Twenty-First Century Work, Williams, Max Brenton Harkey (author) Higdon received awards from the Guggenheim Foundation, the American Academy of Arts & Letters (two awards), the Pew Fellowship in the Arts, Meet-the-Composer, the National Endowment for the Arts, and ASCAP. Shortly after the release of this CD, Jennifer Higdon and Hilary Hahn were featured on the PBS News . Higdon was born in Brooklyn, New York. A major figure in contemporary classical music, she received the 2019 Pulitzer Prize in Music for her Violin Concerto, a 2010 Grammy for her Percussion Concerto, a 2018 Grammy for her Viola Concerto, and . Under the baton of Xian Zhang, Higdon partnered with the trio, Time for Three, and the Philadelphia Orchestra to make this dynamic recording. Higdon makes her living from commissions and her music is . 1962), imagines a series of divergent dreams. [1] During her time at Bowling Green, she wrote her first composition, a two-minute piece for flute and piano named Night Creatures. She has served as Composer-in-Residence with several orchestras, including the Cincinnati Symphony, the Pittsburgh Symphony Orchestra, the Philadelphia Orchestra, and the Fort Worth Symphony. 1726 - YouTube Hilary Hahn, Violin. 67 . 2023 GRAMMY WINNER! "I'm going to attend my students' composition concert tonight at Curtis and try not to steal any of their thunder," she says. [6] She also often uses scalar passages to add melodic or harmonic context to the music. Philadelphia-based composer Jennifer Higdon won the Pulitzer Prize for music with her Violin Concerto Monday. Her works written for soloists include baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. In the latter work, Higdon goes to great lengths to provide the soloist with long stretches of soft, melodic music (mostly for vibraphone and marimba) which acts as a welcome foil for the obligatory, drum-heavy fireworks one (rightly) expects in a percussion extravaganza. As she put it to the Los Angeles Times, You dont need a PhD to understand my pieces. Whats intriguing, at least to me, is how unconventional the music is under its generally conventional surface. Concertos throughout history have always allowed the soloist to delight the audience with feats of great virtuosity, and when a composer is confronted with a real gift in the soloists ability to do so, well, it would be foolhardy not to allow that dream to become a reality. Jennifer Higdon NEWS Higdon is one of five composers commissioned by violinist Joshua Bell for a five-movement suite for violin and orchestra. Reviewing the New York City premiere, Allan Kozinn of The New York Times wrote, "Its big, exploratory opening movement is packed with quick, insistent solo lines and dialogues between the violin and either the full orchestra or individual sections or players; its lush, slow movement (here in the form of a chaconne) exploits the violin's lyrical qualities, and its finale is driven by daredevil speediness. Dr. Higdon received the 2010 Pulitzer Prize in Music for her Violin Concerto, with the committee . Higdon has been frank about her allegiance to traditional musical values what some would call accessibility. The 30-minute work received its world premiere on Feb. 6, 2009, by violinist. Having just returned from driving 660 miles, round trip, in order to hear this premire, I am sure I would be in a major funk had I been in the least disappointed by this concerto. Higdon's new string quartet is thematically connected to her award-winning opera Cold Mountain. 35 4 Karol Szymanowski Violin Concerto 1916 Play 15. In January, Higdon won a Grammy Award in the category of contemporary classical composition for her Percussion Concerto. "[6], "Despite Anxiety and Naysayers, Composer Wins Her Pulitzer", "Composer Jennifer Higdon pursues friendly music", "Sound That's Lush and Slow, Speedy and Precise", "HIGDON; TCHAIKOVSKY Violin Concertos: Playing of great subtlety from Hilary Hahn in two well-contrasted concert", https://en.wikipedia.org/w/index.php?title=Violin_Concerto_(Higdon)&oldid=1053643566, "Fly Forward" a fastpaced movement, Higdon imagined violinist Hilary Hahn racing in the Olympics as she was composing the piece, This page was last edited on 5 November 2021, at 03:52. Her father, Charles Higdon, was a painter and made efforts to expose his children to different types of art. Violin Concerto 4 Gyrgy Ligeti Violin Concerto 1990 Play 16. In her vocal and choral works, Higdon works to emulate speech patterns and applies them to writing both the pitch and the rhythm of her melodies. Pulitzer Prize and three-time Grammy-winner Jennifer Higdon (b. Brooklyn, NY, December 31, 1962) taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Jennifer Higdon (composer). Its unmissable in Exaltation of Larks (2005) for string quartet, though dabbed with French Impressionist colours, and also in parts of The Singing Rooms (2007) for violin, chorus, and orchestra, one of the composers most affecting works. 35. In 2020, Higdon's Percussion Concerto recording was inducted into the Library of Congress National Recording Registry. I believe wholeheartedly in melody, she declared in a 2011 interview at Drexel University. Dr. Higdon also received the Nemmers Prize from Northwestern University, which is given to contemporary . The first movement of this concerto, written for the violinist, Hilary Hahn, carries a somewhat enigmatic title of 1726. This number represents an important aspect of such a journey of discovery, for both the composer and the soloist. Here are 10 you cant miss. But Jennifer Higdon came to classical music later than most composers. She studied flute performance at Bowling Green State University with Judith Bentley, who encouraged her to explore composition. She also makes use of rhythmic ostinati which give motion to many of her works especially her more rapid compositions. "I'm humbled and honored to get the prize," Higdon said in a phone interview Monday. 1941 - American composer Stephen Albert, in New York; 1497 - Flemish composer Johannes Ockeghem, age c. 76, in Tours; 1724 - Bach: Sacred Cantata No. Jennifer Koh, violin (soloist). and Ph.D. from the University of Pennsylvania. Higdon wrote it expressly for Hahn, keeping in mind the kind of playing she likes and the composer frequently consulted the soloist, as is frequently the case with compositions of this genre. Gregory Sauer, Professor Directing Treatise; Denise Von Glahn, University Representative; Alexander Jimnez, Committee Member. After Monday's announcement, that number is likely to rise. And it was the Violin Concerto (2010), composed for Hilary Hahn, that earned Higdon the Pulitzer. All Rights Reserved. I want to be able to speak to you on a kind of visceral level. Jennifer Higdon's Concerto for Orchestrais a familiar work to the Atlanta audience; it was performed here in 2015 and 2019. The concerto was co-commissioned by the Indianapolis Symphony and debuted in 2009 with the orchestra and Hilary Hahn as the soloist. She has served as Composer-in-Residence with the Pittsburgh Symphony Orchestra, the Green Bay Symphony Orchestra, the Philadelphia Orchestra, the Fort Worth Symphony and the Music Academy of the West. Is it surprising that I have high expectations? The Apollo Chamber Players embarked on a remarkable journey to commission 20 works by 2020. Personally, I would prefer not to hear it this way again, but it was interesting. Christina L. Reitz, "Jennifer Higdon", The New Grove Dictionary of Music and Musicians, second edition, (Oxford: Oxford University Press, 2012). International licensing, If you are a library, university or other organisation that would be interested in an institutional subscription to. The audience, which the Star reviewer called "hearteningly large" but at which the empty seats concerned some acquaintances with whom I spoke, gave the concerto a tumultuous ovation. About Jennifer Higdon Pulitzer Prize and three-time Grammy-winner Jennifer Higdon (b. Brooklyn, NY, December 31, 1962) taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Her earliest compositions date to the early '80s, but she emerged as an important figure in the period of the new millennium with such orchestra works as blue cathedral (1999), City Scape (2002), and Concerto for Orchestra (2002). Williams, M. B. H. (2010). Sonorities at first familiar . Appendix: Jennifer Higdon's Violin Concerto Instrumentation . 1962) is one of America's most acclaimed and most frequently performed living composers. Zaka (2003), Higdons sonically playful and imaginative piece for the new music ensemble Eighth Blackbird, is especially delightful in this regard, as is her Percussion Concerto (2005), written for Colin Currie. Hilary Hahn, Violin. Violin Concerto received a Pulitzer Prize in Music in 2010. The piece was later awarded the 2010 Pulitzer Prize for Music.[2][3][4]. Jennifer Higdon 's Concerto for Violin and Orchestra was written in 2008. 320 E Main St, Missoula, MT 59802. In its citation, the Pulitzer board described the piece as deeply engaging and said that it combines flowing lyricism with dazzling virtuosity., Higdon said she wrote the concerto with Hahn in mind and that the piece is meant to show off her gifts.. Lets start with melody, and the understanding that her music is not, in fact, chock-a-block with hummable tunes (though she certainly knows how to write those). 3 and Julia Wolfes Steel Hammer.. Sauer, Gregory (professor directing treatise) Accessibility | by James Manheim [+] American composer Jennifer Higdon 's breakthrough came in 2002 with her Concerto for Orchestra, a work that attracted the widespread admiration of working symphonic musicians and led to mushrooming performances of her music both within and beyond the U.S. Her orchestral work Blue Cathedral is one of the most performed contemporary orchestral works in the U.S. As part of this ethnographic approach, the very evolution of the work (including actual alterations before and after the premiere) is presented offering a distinct look at the processes of composition and performance in classical music. "Jennifer Higdon's vivid, attractive works have made her a hot commodity lately," wrote Steve Smith of the New York Times. Yet Higdons most striking achievement doesnt fit so easily into a biography, and thats how thoroughly her music has filtered into every stratum of classical music culture in the United States. "[5] Duncan Druce of Gramophone similarly described the piece as "an attractive, colourful work, scored most imaginatively and with great finesse." Piano Concerto #2 (1963) - Leon Kirchner 6. She was born in Brooklyn, though her parents moved to Atlanta soon thereafter, and then to a farm in the Appalachian Mountains of Tennessee. Shecurrently holds the Rock Chair in Composition at The Curtis Institute of Music in Philadelphia. "Her willingness to communicate with audiences and her openness to musicians' comments is extremely refreshing. JENNIFER HIGDON - Violin Concerto (2008) A common fear with contemporary music is that it will fall victim to an air of exclusivity or affectation. Higdon's list of commissioners is extensive and includes The Philadelphia Orchestra, The Chicago Symphony, The Atlanta Symphony, The Cleveland Orchestra, The Minnesota Orchestra, The Pittsburgh Symphony, the St. Paul Chamber Orchestra, as well such groups as the Tokyo String Quartet, the Lark Quartet, Eighth Blackbird, and the President's Own Marine Band. Contents Jennifer Higdon's Concerto for Violin and Orchestra was written in 2008. On the occasions where she has set non-English texts, she tends to use both the text and translation in the piece, allowing the piece to more effectively communicate its message. She spent the first 10 years of her life in Atlanta, Georgia before moving to Seymour, Tennessee. The dynamics range from very soft to overwhelming at a couple of moments, the tuttis giving the soloist some surely much needed rest. Venzago plays Schumann with unusually varied tempos. Jennifer Higdon started late in music, teaching herself to play flute at the age of 15 and then beginning formal musical studies at 18, with an even later start in composition at the age of 21. Jennifer Higdon (b. [1] It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzago on February 6, 2009. Here is a short excerpt of what she had to say: Ms. Higdon said she doesn't experience writer's block and composes fast: "I think it's a little like working out. Jennifer Higdon has composer anxiety, but she stuck with it and now she has a Pulitzer Prize for music for her Violin Concerto. Violin Concerto: I - Jennifer Higdon 2. "Her music is evocative and understandable," Alsop wrote in an essay for NPR. The piece stands as a major contribution to the violin concerto repertoire and, although it is impossible to predict so early into the twenty-first century, has the makings of becoming a landmark work for the instrument. Find Jennifer Higdon composition information on AllMusic. Conductors who worked extensively with her include Christoph Eschenbach, Marin Alsop, Leonard Slatkin, and Giancarlo Guerrero. Her first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere in 2016; the first American opera to do so in the award's history. Van Glahn, Denise (university representative) Check out this recent article in the New York Times. Higdon won the annual Pulitzer Prize for Music for her Violin Concerto (Lawdon Press), which premiered February 6, 2009, in Indianapolis. "The whole focus of the second movement is the beauty of tone.". [5] She also developed an interest in photography and writing at an early age. And its quintessential Higdon, marrying simplicity with complexity, and stability with surprise. Soloists: Monica Huggett - violin , Carla Moore - violin , Rob Diggins - violin Portland Baroque 501. Rather, she tends to alternate between rhythmically strong phrases built from short, often simple motives and long-limbed, rhythmically restless, discursively expansive lines. This article was originally on a blog post platform and may be missing photos, graphics or links. Among her most popular works are the symphonic poem blue cathedral, her opera Cold Mountain, and a Pulitzer Prize-winning Violin Concerto, written for Hilary Hahn. Florida State University (degree granting institution). She played flute in her high school's concert band and percussion in marching band, but heard little classical music before her college years. Accessibility doesnt seem like a negative word to me.. Conductor Marin Alsop says she's also a Higdon fan. Theres lots of lyrical high-flying writing for the soloist but, as in blue cathedral, its more rhapsodic than melodic. The Azuri Quartet will premiere the new work. ProQuest Dissertations Publishing, 2010. Jennifer Koh plays the difficult violin part with exceptional beauty of tone, and the ASO Chorus is on top form. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. Philadelphia-based composer Jennifer Higdon won the Pulitzer Prize for music with her Violin Concerto Monday. Pale Yellow, the first movement of her Piano Trio (2003), is an especially lovely example, as both elements are so tender and lyrical. The second movement, entitled 'Chaconni', has a pastoral feel, vaguely reminiscent of Vaughan Williams but with the lark ascending into a more unsettled sky. Violin Concerto 3 William Walton Violin Concerto 1939 Play 18. Structurally, her music reflects the "intuitive" style that she composes by: Her music is decidedly sectional, but tends to have a natural flow melodies often carry over bar lines, creating some motivic and sectional ambiguity. false Jennifer Higdon's blue cathedral was inspired by her grief over her brother's death. "[17] Similarly, though in a more positive review, Raymond Tuttle wrote that "even though the Concerto for Orchestra is not remarkable for its melodic content, there is so much color and brilliance in Higdon's writing that few listeners will notice."[18]. [1], She wrote her first opera based on Charles Frazier's 1997 novel, Cold Mountain with a libretto by Gene Scheer. I believe in a clear pulse and a clear rhythm. a carbonhouse experience. Primary source material garnered from interviews with all the musicians most crucial to the work's inception, as well as reflections by the author who attended the premiere rehearsals and the premiere itself are presented. The Pulitzer citation called it "a deeply engaging piece that combines flowing lyricism with dazzling virtuosity". Retrieved from http://purl.flvc.org/fsu/fd/FSU_migr_etd-4600. Higdon says she found out that she had won the Pulitzer after noticing that she suddenly had a lot of messages on her cell phone. . I feel that you should be able to come to my music without having any kind of knowledge about classical music. Her father was a visual artist, a hippy, and a fan of the avant-garde in almost everything but music. As a result, she has described her own compositional process as "intuitive" and "instinctive", where she favors music that makes sense, rather than writing music that adheres to classical forms and structures. I turned on my cellphone and I had all these messages and I thought that was unusual, she said. The Concerto for Orchestra put the composer on the musical map and serves as a thrilling link to the mid-century masterworks that inspired it. Between 2016 and 2018, Higdon served as the prestigious Barr Laureate Scholar at the University of Missouri Kansas City. [5], The League of American Orchestras reported Higdon as one of the most performed living American composers, in 2008. Its title, Chaconni, comes from the word chaconne: a chord progression that repeats throughout a section of music. "It's the extremes," Higdon says. 2023 Atlanta Symphony Orchestra. Her music is in such high demand that shes able to compose exclusively on commission. Pulitzer officials described the concerto as "a deeply engaging piece that combines flowing lyricism with dazzling virtuosity.". [10], Higdon has received commissions from major symphony orchestras, including the Philadelphia Orchestra, the Cleveland Orchestra, the Chicago Symphony, the Atlanta Symphony, the National Symphony, the Minnesota Orchestra, the Pittsburgh Symphony, the Indianapolis Symphony, and the Dallas Symphony. "For me, composing a concerto is like constant discovery," Higdon said immediately following the premier. Many of Jennifer Higdon's pieces are considered neoromantic. This website and all content copyright 2009-2022 Jennifer Higdon, Inc.Site Design: Canfield Design Studios, Inc. It's been played by more than 200 orchestras since it premiered in 2000. If you have questions about access or logging in, please use the form on the Contact Page. He continued, "I enjoyed the first movement especially, its disparate material so expertly contrasted and integrated. All Rights Reserved. The concerto is in the usual three movements but with unusual designations. She has won the Grammy Award for Best Contemporary Classical Composition three times. She loved both Hahn's low and high notes. Chacconi [0:12:17.52] 03. Jennifer Higdon's Violin Concerto was completed in August of 2008 and premiered 6 February 2009 by the work's dedicatee, Hilary Hahn, with the Indianapolis Symphony Orchestra (co-commissioner) and Mario Venzago, serving as conductor. Some of the material in is restricted to members of the community. Higdon received the 2010 Pulitzer Prize in Music for her Violin Concerto, with the committee citing the work as "a deeply engaging piece that combines flowing lyricism with dazzling virtuosity." Jennifer Higdon is one of the cherished names in contemporary American classical music. I basically started from the very, very beginning. In this particular case, there are several chaconnes, which create the stage for a dialog between the soloist and various members of the orchestra. This Item is protected by copyright and/or related rights. Higdon is one of the 21st century era Higdon 's Percussion Concerto recording inducted... 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